spring jacket woolrich arctic parka blue

spring jacket woolrich arctic parka blue Seedy Sexy Dirty Drum Boogie

American cinema isnt really that dangerously sexy anymore. Not in any mysterious way. lacks the edge and thrill of say, Peggy Cummins shooting between her legs in Gun Crazy. Or Decoys Jean Gille laughing with maniac, orgasmic glee after shes offed her duped boyfriend whos just dug up the only thing that turns her on -- money. Or Cloris Leachmans hard panting, hyper-ventilating co-mingling with Nat King Coles silky singing within the credits to Kiss Me Deadly. Or, dear God, Lana which lipstick within the Postman Always Rings Twice. American films can pretend they sexy, plus some are. And yes, some stars will place it out there in nude scenes, in magazine spreads, or simply within the work of Maggie Gyllenhaal -- check Sherrybaby and Secretary for proof. However in my mind with some expections, obviously, the appearance John Garfield gives Turner across the floor may be worth a thousand contemporary sex scenes.

But, clearly Im showing a bias. Depending on my examples, its not surprising that film noir is where in other words, my place for screwy sexy made even more erotic because even while sex, often toxic sex, motivates many of its characters actions, the genres aim isnt merely to steam spring jacket glasses. So when it will hits an arousing bulls-eye, well, as the lady says, put spring jacket lips together and blow.

Which led me to some film I hadnt observed in years -- Robert Siodmacks Phantom Lady -- a picture that features a performance by Ella Raines thats so sizzling but so alluringly poignant, spring jacket are a little at a loss for it.

Adapted in the Cornell Woolrich novel, Phantom Lady was Siodmaks first American screen success and that he would later craft some sublime noirs including Criss Cross, Cry from the City, The Dark Mirror, The File on Thelma Jordan and also the Killers amongst others. Ill run-down the story: Ella Raines her characters nicknamed Kansas -- which seems like a Wizard of Oz reference given the subterranean world she will find herself in works as Alan Curtiss secretary. When hes framed for that murder of his wife, she sets out to help him because she doesnt believe he made it happen. She also besotted with him lucky fella. Sexing up her image as cub private dick, shes off to find this Phantom Lady by using Curtiss friend Franchot Tone as well as an off duty police detective Thomas Gomez, so wonderful in effect of Evil. OK, so that the story, but things i actually want to discuss is Raines interaction using the hep cat, hopped up jazz drummer, played by noir staple, the truly amazing Elisha Cook, Jr.

I am absolutely gob-smack over their famed moments together. Ellas seduction of Elisha -- a massive sexy, conflicted, crazily drugged sequence spring jacket are able to practically smell the booze, marijuana, heroin and dexies permeating the joint in which Raines plays hot-to-trot, appears to be eating up her vampy method of getting to the straight dirt but, is repulsed by both Cook that kiss! and herself to have to visit this far. Showcasing Siodmaks and cinematographer Woody Bredells evocative, angled compositions used gorgeously through the movie, the design and style brilliantly underscores the mounting hysteria and varied state of Rainess psychology. This is an extreme example, but what Raines reveals is one thing a lot of women feel when finding themselves in the belly of the sleazy beast. It just a little fun along with a little horrifying and spring jacket definitely not in Kansas anymore.

Not that this case isn also sickly erotic -- it is. And the frantic, psychosexual, hop headed-ness makes me feel high I have what Elisha having, thanks. It sure as hell makes me want to put on some Gene Krupa -- drum boogie was, in tangible a great deal sexier, dirtier and seedier than we even know. I bet Ella knew.